Still reading Hirohiko Araki’s Manga in Theory & Practice, as it proves to be refreshing for brain reorganization. Sometimes, when putting a story together or preparing for such, I hit a wall or two (thankfully, no concussions). The best way for me to cleanse my head a little is to read a book, any book.
In turn, I found myself writing more into the final chapter of the Drafts project. Every month since last October had its ups and downs but I knew it would be part of the assignment to commit to — every month a new chapter, no matter the length. Written on my phone, each chapter looked okay in terms of length and at times much shorter than what I’ve put into FireButt or FireFrei but upon just editing the 1st chapter, I found myself realizing that I may have a whole ass novel on my hands if I edit it in a similar fashion as FireFrei; and I think that is an amazing development. The verse/stanza style helps create breath and space for the reader to follow along and for the story itself to have a steady pace. Let me remind you that when minimum price to sell on paperback is the same for a 130+ page book or a 400 page one, might as well. If I had continued structuring in the vein of FireButt, the page count would’ve been lower but the speed of reading and sitting with the story would be briefer. Truth is, I want those who read my work sit with it and let it marinate instead of trying to read and left feeling like it was just there.
Studying manga and Greek poems helped me re-think how I approach. I’ll also mention Sueños de la Calle by Jeremy Melendez as a bit of inspiration. His book is written in verse and while it is 400+ pages, because of how he chose to space out his story, you can’t Johnny 5 your way through it but don’t feel like you’re trekking through a Martin or Tolkien novel either. At 41, one thing is certain, particularly in these current times — forget the expectations or perfectionism. Just do the damn thing!